Dré Six & KITSCHKRIEG – 'Dressed In White'

'Dressed in White' is a moment frozen in time—the kind that quietly shifts your whole outlook.

For Dré, it captures the exact point when things changed. When what used to feel light turned heavy.

When daylight link-ups became night-time manoeuvres. When a boy starts seeing the world through a mans eyes, a sharper lens.

The track moves through that transformation in a way that’s subtle but clear.

“And when we were young we would meet in the day / Nowadays it’s always in the night.” This line doesn’t scream danger or drama—but the tension is there. It paint's a picture of how fast life can accelerate, how fast trust can get complicated. One minute it’s all easy laughs and green smoke, the next, you’re clocking movements and watching your back.

The song’s a dynamic drum and bass anthem that channels KITSCHKRIEG’s signature intensity—it’s cold, fast, and restless. It speaks on street loyalty, love, and the inevitable race against time. There's a conflict threaded through every line: staying true to the code versus navigating the weight of a relationship that wants more than this life allows. That tug-of-war bleeds into the tempo, the layering, the urgency of the hook.

This will be the last drop before the full project—London’s Calling—landing in 15 days. Dré’s been going back and forth to Berlin for months recording these tracks. The back-and-forth shows: two cities, two different sounds.

This track is easily the furthest Dré Six has stepped from his usual sound. It still hits with the same honesty.

The production leaves space at first, then builds—what starts off bare and curious ends full and chaotic “I like the way it starts, it’s still got space for my vocals, and by the chorus it’s full, full of production.” 

Maybe it ends even a little too abruptly. The online feedback’s all points towards wanting more: “But why so short?”  “It just picked up speed and ended out of nowhere.” Hard to say if the guys will listen—but the demand for an extended version is definitely there.

Still, as much as this project experiments with sound, Dré’s already thinking beyond this project.

The next chapter? Stripping things back - just him and his guitar.